“From the Sassi of Matera I learned the architecture of taking away. And in painting, to take away means to simplify: the mark, the colours, the gesture.”
The Sassi of Matera, carved into the tuff: the architecture of taking away, the root of his painting.
“What I love above all is to stir consciences, to give emotion to those who look at my painting.”
Cesare Maremonti
Born in Matera in 1966, Cesare Maremonti graduated in architecture in Florence, specialising in industrial design and planning. After periods spent between Russia, Finland and Amsterdam, in 2002 he returned to Matera, where he founded Archdesignstudio, a workshop of ideas spanning design, architecture and painting. Today he lives and works in Pietrapertosa, in the Lucanian Dolomites.
His painting portrays the landscape as a “set of geometric forms, coloured marks, solids and voids”. Oil, collage and drawing intertwine into faces, eyes and essential figures: a continuous dialogue between being an architect and being a painter.
Over thirty years of research his works have been shown in galleries and museums across Italy — from Florence to Milan, Rome to Turin — and abroad: Spain, Greece, Poland, Turkey, Brazil.
“Art is a very difficult ‘game’. You have to work every day, persevere and be very rigorous. Someone once said: ‘Become what you are’ — that is what I wanted to be: an artist. After more than thirty years I can say I am one, and I have understood that it takes modesty to call yourself that. This anthology is a diary of my journey through art and life. All of this was possible thanks to my father and my mother.”
From the monograph “Antologica 1990/2020 — 30 years of artistic research and life”, Matera, June 2020
The soul
For as long as I can remember I have looked for art everywhere: in nature, in the streets, in the cities, in my mother’s eyes. In art there is no lying: it does not need great technique, it needs the soul. When a work manages to move someone, that is when I feel I have made true art.
Taking away
Matera is an ancient city: when space was needed, people did not build — they dug, towards the bowels of the earth. That is where my “taking away rather than raising” comes from: in architecture as in painting, taking away means simplifying the sign. By simplifying, you reach the viewer better.
The blank canvas
You start with one idea and often end up doing something else entirely: the most interesting ideas come out of mistakes. Making art is living in other worlds, where there are no wars and no envy. It is just you and your blank canvas: it is like a psychologist — you sit there and listen to what it tells you.
The daily gesture: colours, paper and marks waiting to become a work.
Rimini-Europa International Prize 2014 · artistic director of the Festa della Bruna, Matera 2015 · group shows in Florence, Milan, Turin, Cefalù, Bodrum and Istanbul.
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